|
Jibing
by
Marc Lefebvre
Jibing is such a fundamentally different skill
than any other you will learn in windsurfing, except maybe jumping, and it
separates the intermediates from the advanced. Once you tackle this hurdle you
are on your way to really standing out in a crowd and enjoying yourself to the
max. It is different than other skills because it isn't like riding a bike, once
you do it it doesn't come naturally, however, it does get easier with practice.
There are just so many external factors that can influence your jibes that the
better a sailor you are the better you will be able to handle these factors, and
succeed.
It is important that when you are learning to jibe that you can visualize the
jibe before you do it. And when you visualize it, feel the sensations in your
mind and watch yourself perform a perfectly executed jibe. Believe me, this
works!
I have broken down the jibe into three parts that are in any and every kind
of carving jibe that you can imagine, the carve, the sail-flip, and the
transition. Once you master these parts separately, it is only a matter of
changing their order or style to execute the different jibes, fundamentally they
are the same.
The carve is the most important step in the whole process and needs your
undivided commitment. It can determine the success or failure of your whole
jibe. When you initiate the jibe you should be unhooked, powered up going full
speed, and in the straps. If any of these are missing, the jibe may not work but
go for it, I always say. If you need more speed then bear off the wind slightly,
if you need to spill speed then bear into the wind slightly. Quietly remove your
rear foot from the rear strap and place it on the leward rail and start giving
it steady, ever increasing pressure. While doing this, your front foot should be
lifting up in the strap, your heel off the deck of the board and sheet in a
little to depower the sail. It is also very important to bend your knees and
lean forward and into the turn. The rig should be leaning forward as well. This
part of the jibe is all momentum, no sail and should be practiced separately
from the other steps. The other steps are meaningless unless you can do this
with speed and complete the carve. If you get back winded while practicing this
step you are doing it right. This step is the same for every carving jibe you
will ever execute.
The next two steps are where your creativity and ability will play a key
role. These steps also determine whether you are going to do a slalom jibe, step
jibe, laydown jibe, or duck jibe. There are other jibes out there but like I
said, you are only limited by your creativity.
For the slalom jibe you need to do the following. Once you pass the
downwind section of the jibe you are going to tilt the rig toward you with your
old front hand, and push the back of the boom with your old back hand, thus
flipping the sail. Grab the front of the boom with your new front hand and the
back of the boom with your new back hand. Now change your feet and bend your
knees to absorb the pull from the sail on the new tack.
In the step jibe you actually combine the changing of your feet with the
flipping of the sail into one continuous motion, as you step forward with your
rear foot you should start the flip. Otherwise follow the steps in a regular
jibe.
The laydown jibe is one of the more graceful and fun jibes to perform. It is
also a great jibe to round buoys with and when you are way overpowered. Its also
much easier to laydown the sail when your angled on a wave face. I think the
most important part of the jibe is the initiation. You have to commit yourself
to the turn as soon as you begin the jibe. The second most important thing is to
pull your clew hand (back hand) up, back and over the tail of the board. Do this
as you lean forward and over the booms. If you don't pull the clew up over the
board you won't be able to lay it down without the clew hitting the water.
Your front hand needs to push the mast as parallel as possible over the
water. At the same time pull the mast back towards the tail as mentioned above.
As you carve the board you feel it accelerate through the turn. Quickly step
forward with your back foot while pulling the sail up in order to "flip it" or
change tacks. Do this before the board turns too much into the wind. If you wait
too long you won't be able to pull the sail up without getting back-winded. This
last step is much like the end of the step jibe. You step forward to maintain
board speed and to flatten the board out of the carve.
This is a very fast jibe and it helps in many ways not only with speed. I
find by laying the sail down in strong winds I don't get overpowered or spinout
during the jibe. A key thing to remember is the longer the carve the longer you
can hold the sail down over the water. In shorter carves you laydown the sail
for only a split second. Also, don't hesitate to lean over the rig and push down
on the boom. Body position is very important.
Finally the duck jibe is one of the more challenging and fun jibes to
perform. Upon the initiation of the jibe is when you want to start to flip the
sail. It will seem a bit early but if you wait too long you will not make it. It
is important to keep pressure on the leward rail throughout this jibe because
you will have a tendency to take pressure off after you flip the sail.
To flip the sail in the duck jibe you will need to grab the rear of the boom
with your old front hand and throw the rig forward and then back after you duck
under the boom. Then grab the front of the boom with your new front hand and
grab the rear of the boom on the new side with your throwing hand. Be sure to
bend your knees at the end of the jibe to absorb the pull on the sail once
again. You should practice this on land to get comfortable with it. It is harder
to master on water, so practice on land and you will get it sooner.
So thats it for these jibes. They probably sound easier than they really are.
They take time to master but once you do you will be among the elite and will
surely impress your friends. So don't give up and don't be afraid of commitment.
Marc A. Lefebvre (lefebvre@ultranet.com)
|